Checklist: Elements of Literary Style

1. Sentence Structure	Are the sentences long or short? Do they contain many subordinate clauses, or are they often fragments? Are there any digressions or interruptions? Is the word-order straightforward or unconventionally crafted?
2. Pace	Is the writing heavily descriptive, with emphasis on setting and atmosphere, or does it focus on action and plot movement?
3. Expansive/Economical Diction	Is the writing tight and efficient, or elaborate and long-winded? When does the author use one or the other and why?
4. Vocabulary	Are the words simple or fancy? Are they technical, flowery, colloquial, cerebral, punning, obscure? (And so on...)
5. Figures of speech	Are there any metaphors, similes, or symbols? Any other use of figurative language (personification, metonymy, etc.)?
6. Use of Dialogue	How often does dialogue tell the story? Do we see whole conversations or just fragments? Does the conversation use much slang or is it formal? Does it appear natural or contrived? Does the dialogue give a sense of pacing, of pauses, of the unsaid? How much does it substitute for narration?
7. Point of View	First, second, third, omniscient, limited omniscient, multiple, inanimate?
8. Character development	How does the author introduce characters, and how do we see their evolution in the story? What is their function and motivation? What kinds of characters are they? Full/round? Stock characters? Stereotypes? Caricatures?
9. Tone	What is the author’s attitude? What is the mood of the story? Does the author seem sarcastic? aggressive? wistful? pessimistic? in love? philosophically detached? hopeful? ironic? bitter? (And so on...) Whatever the tone, where is it visible in the narrative?
10. Word Color, Word Sound	How much does the language call attention to or depend on the quality of its sound, e.g. through alliteration, assonance, consonance, dissonance, rhythm, unusual word choice, etc.?
11. Paragraph / Chapter Structure	Are paragraphs very short, or are they enormous blocks running across many pages? Are the chapters short or long? How many are there, how are they organized, and why is this important?
12. Time Sequencing / Chronology	How has the author organized the chronology of events? To what effect? What is the work’s structural “rhythm”?
13. Allusions	How often and how does the author refer to other texts, myths, symbols, famous figures, historical events, quotations, and so on?
14. Experimentation in Language	Are there any unusual techniques, such as stream-of-consciousness, mixing styles and genres, unusual layout on the page, breaking rules of grammar and form, odd or unstable narrative perspectives, onomatopoeia, aporia, etc.?
15. Metafictional techniques	Does the author call attention to his or her own process of narration? Are the narrator’s position, role, and thoughts as a storyteller mentioned explicitly in the text? What function do they serve?